The sculptural works of Katz Studio sit at the intersection of abstraction and gesture — objects that resist stillness even as they stand motionless. They are not representations, but forces — frozen distortions, displacements, or echoes of something just out of reach. Each piece carries the impression of having arrived through transformation.

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The Levitaz sculptures evoke draped fabric cast into permanence. In bronze or resin, they capture motion as material — a collapsing of time into weight and shine. By contrast, the Infernum works shimmer with internal heat: in finishes like Velvet Chrome, their curved volumes feel ignited from within, radiating a quiet, restrained intensity.

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Other forms resist categorization entirely — torn geometries, fractured voids, vanished cores. What binds them is not a visual language, but a philosophical one: a belief that objects can embody tension, mystery, and precision at once.

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Each sculpture is shaped through an involved process of modeling, casting, and hand-finishing — a meditation on both surface and absence. They are meant to hold space, not fill it.